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 Reconnaissance Fly - Flower Futures
Special Value
Buy Reconnaissance Fly's Flower Futures and Tri-Cornered Tent Snow's Welcome to Psychoville and get at an additional $4.00 off Buy Together Today: $20
 Tri-Cornerd Tent Show - Welcome to Psychoville Population 4  Reconnaissance Fly - Flower Futures

Reconnaissance Fly
Flower Futures
CD $12

The story of Flower Futures began in 2009, just as the band had completed its transformation from the benevolent dictatorship -- Polly Moller & Company -- to the democratic Reconnaissance Fly. Polly had begun collecting the best Internet spam poetry, or "spoetry", she could find and proposed a concept album setting 10 of these "spoems" to music. Each member of the band was given spoems to set, and five years later, Flower Futures is the result - showcasing the band's versatility and each member's unique compositional style.
Polly herself created the jazz-inflected "Emir Scamp Budge", the dreamy "Oh! Goldfinch Cage", and "Electric Rock Like a Cat", which she describes as a Scarlatti pet food commercial from another dimension. Amanda Chaudhary contributed two graphic scores, "Small Chinese Gong" and "Seemed to Be Divided in Twain", as well as funky crowd favorite "Sanse Is Crede nza". Tim Walters revealed his progressive rock expertise in "One Should Never" and "An Empty Rectangle", and a cabaret vibe in "As Neat As Wax". Former members Bill Wolter and Chris Broderick gave the album "The Animal Trade in Canada" and "The Party Constraint", respectively.

Chris Broderick - c-melody saxophone, clarinet, bass clarinet
Amanda Chaudhary - electric piano, piano, organ, electronics
Polly Moller - voice, flute, bass flute, heat sink
Larry The O - drums, percussion
Tim Walters - bass, computer

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"Falling somewhere between jazz and Canterbury prog rock, Reconnaissance Fly juxtaposes the silliness of the lyrics with serious musical chops and strong compositions. A fun and engaging release."
- Mike Borella, Avant Music News

"Other than the ensemble's razor-sharp focus and highly synchronized methodology, a great deal of wit and whimsy propagates an attainable and irrefutably entertaining succession of events."
- Glenn Astarita, All About Jazz

"...The result is the kind of peculiarity you might expect if Kurt Weill, Alfred Jarry and Frank Zappa got together and wrote a musical starring Mrs. Miller...Recommended for buffs of the bizarre."
- Steve Mecca, Chain D.L.K.

"It’s full of Canterbury sounds: electric piano, jazzy chords, and stumbling time signatures. Snatches of free improvisation crop up here and there. And flute! In addition to fronting the band with operatic alto vocals, Moller plays flute alongside the band’s woodwind or guitar leads."
- Memory Select

"They have that warm, slightly dark SoCal sound, especially from Amanda Chaudhary's keyboards, Rich Lesnik's woodwinds, and Larry the O's cool ride cymbal techniques. Moller's got a great voice, too, somewhat operatic in an Irene Aebi sort of way, and her flute soloing, if somehow bottled, could provide heat to the homeless dudes sitting outside of the space. A really fine melding of brain and brawn from these flyers!" - disaster amnesiac